Over the years, fans of the old Dope Rider comic strip from High Times have occasionally contacted me asking for copies of some of the images, which they intend to have tattooed on their backs, painted on their drum sets, or airbrushed onto the gas tanks of their Harleys. To make it easier for these folks, and to create an archive for anyone interested, I have set up this site to post the complete Dope Rider oeuvre. Note: all images are copyrighted by Paul Kirchner.
If you'd like to purchase Dope Rider merchandise, visit my Dope Rider Store at CafePress.com and click on a design you like. Your patronage is most appreciated!
Monday, May 4, 2015
Tuesday, April 7, 2015
|Just for fun, here's the opening frame without any text.|
Saturday, March 21, 2015
To welcome my new visitors I'll post my one-page Dope Rider comic from January's High Times. I'll be putting up more of these new strips a few months after the issue in which they appeared is off the stands.
Saturday, August 16, 2014
High Times editor Chris Simunek and art director Frank Max asked me to do a new Dope Rider adventure for the 40th anniversary issue, November 2014. It seemed like a great idea to me, as Dope Rider debuted in the 1st anniversary issue in 1975. I did a three-page story, "Kukulkan's Kush." It took me about a month, which I admit is slow, but I'm very pleased with the way it turned out. The Dope Rider merchandise at my cafepress store uses some of the images I came up with for the story. I eventually will post it at this site, but you'll be able to find it on your favorite newsstand September 2.
Thursday, June 16, 2011
It contains some in-jokes: in the western town on page five, one store says "Ed Summer" on the sign, while another says "Calkins." Ed Summer is a well-known comic fan (and much more) who owned the Supersnipe Comic Art Emporium on New York's Upper East Side. Chuck Calkins ran a comic book store in the East Village where I worked part time. The name "Last Chance Saloon" is taken from the cowboy wallpaper I had in my room as a kid.
Some years later I inked a version of this story, wrote some copy, and sold it to Charlton Comics, where it appeared in Scary Tales no. 2, October 1975. As with everything Charlton printed, it looked like crap, so I prefer the original.
In my junior year at Cooper Union I was introduced to Larry Hama, who was then working as an assistant to Wally Wood. Larry took me to meet Neal Adams at Continuity Associates, the studio he and Dick Giordano kept at 9 East 48th Street. Neal must have liked my work, as he called Joe Orlando, then an editor at DC Comics, and got me some work. I penciled some horror stories for Tex Blaisdell to ink and assisted him on the "Little Orphan Annie" newspaper strip, which he had taken over after the death of Harold Gray. I also assisted Ralph Reese, who eventually got me a job assisting Wally Wood.
Wednesday, June 15, 2011
A major inspiration for Dope Rider was my friend Tom Conroy, whom I had met shortly after I moved to New York in 1970. Tom Conroy is an artist who runs a photo archive. He lived on my block, East Sixth Street between 1st and 2nd Avenues. Entering his apartment, you had to snake your way between file cabinets of movie stills, stacks of milk crates full of comic books, and fascinating odds and ends he picked out of trash cans. (He gave me many of his finds, including a human skull that had been made into a candle holder.)
A speed freak, Tom lived nocturnally. He had no electricity and lit his apartment with a large flame burning from a hose connected to the gas line; he covered his windows so neighbors wouldn't call the fire department. I used to visit him late at night and commune with the various bikers, hippies, and street people who filed in and out, sitting around the flickering campfire and listening to Tom dispense his insights on flying saucers, the hollow earth theory, the wisdom of Gurdjieff, and the general absurdity of the human condition. Tom constantly hawked and spat on the floor, and was convinced that the armies of cockroaches that scuttled everywhere were evolving a higher intelligence as they imbibed his amphetamine-laden spittle. He wouldn't let anyone swat them--not for sentimental reasons, but because, as he explained, "Kill a cockroach and 17 come to its funeral."
After the first appearance of Dope Rider, I was eager to do a second, but Dennis wasn't sure there was interest in it. "If only we'd get some reader mail," he mused. Reader mail, eh? I called my sister, then living in Pittsburgh, and had her send in an effusive fan letter under a nom de plume. Dennis was persuaded and Dope Rider rode again, making his second appearance in the March 1975 issue of Apple Pie, as Harpoon was renamed after lawyers for National Lampoon started clearing their throats.
It was pretty nervy of me to use Lee Van Cleef as a character, but I was a huge fan. I'm glad he didn't sue me. Or shoot me.
It was in the third episode, published in May 1975, that I feel Dope Rider hit his stride. I was working as an assistant to Wally Wood at this point and the inking shows more confidence. I began to incorporate elements from famous works of surrealist and visionary art, such as the homage to Piranesi's prison series on page two. Note the nude: I was also selling cover art to Screw magazine.