Over the years, fans of the old Dope Rider comic strip from High Times have occasionally contacted me asking for copies of some of the images, which they intend to have tattooed on their backs, painted on their drum sets, or airbrushed onto the gas tanks of their Harleys. To make it easier for these folks, and to create an archive for anyone interested, I have set up this site to post the complete Dope Rider oeuvre. Note: all images are copyrighted by Paul Kirchner.
If you'd like to purchase Dope Rider merchandise, visit my Dope Rider Store at CafePress.com and click on a design you like. Your patronage is most appreciated!
Thursday, June 16, 2011
Dope Rider: The Prologue
It contains some in-jokes: in the western town on page five, one store says "Ed Summer" on the sign, while another says "Calkins." Ed Summer is a well-known comic fan (and much more) who owned the Supersnipe Comic Art Emporium on New York's Upper East Side. Chuck Calkins ran a comic book store in the East Village where I worked part time. The name "Last Chance Saloon" is taken from the cowboy wallpaper I had in my room as a kid.
Some years later I inked a version of this story, wrote some copy, and sold it to Charlton Comics, where it appeared in Scary Tales no. 2, October 1975. As with everything Charlton printed, it looked like crap, so I prefer the original.
In my junior year at Cooper Union I was introduced to Larry Hama, who was then working as an assistant to Wally Wood. Larry took me to meet Neal Adams at Continuity Associates, the studio he and Dick Giordano kept at 9 East 48th Street. Neal must have liked my work, as he called Joe Orlando, then an editor at DC Comics, and got me some work. I penciled some horror stories for Tex Blaisdell to ink and assisted him on the "Little Orphan Annie" newspaper strip, which he had taken over after the death of Harold Gray. I also assisted Ralph Reese, who eventually got me a job assisting Wally Wood.